It’s best to start the track when your subject is closer to the camera. I can track the mask forward or backward, frame by frame or with standard playback. Since my subject is moving toward the camera, I’ll leave the tracking method on the default Position, Rotation, and Scale method. When tracking a mask path, there are three tracking methods from which to choose: Next, I need to track the mask to my subject’s face as she walks through the scene. Once I click the ellipse mask tool, I’ll position the mask over my subject’s face.
Since I’m masking a face, the ellipse tool will work just fine.
I can quickly create an ellipse or 4-point polygon mask, or I can use the pen tool to create a custom path. There are several different ways to add a mask with the mosaic effect. Now that I have applied the effect, it’s time to add a mask to our subject. Also, as with most effects in Premiere Pro, there is a mask tool inside the mosaic effect. I can add keyframes to both of these attributes, and there’s an option to sharpen the colors of my mosaic. This effect allows me to add horizontal and vertical blocks to my image. Let’s take a look at how we can do this.įirst I need to apply the mosaic effect to my clip. Premiere’s mosaic effect comes with user-friendly tools that will allow you to easily apply a mosaic to a moving face in just a few minutes. Whatever the case may be, adding a mosaic to a person’s face in Premiere Pro is quick and easy. Maybe you don’t have a release form, or you want to protect someone’s identity from being exposed. If you’ve worked in television or documentaries long enough, you’ve probably had to blur out a face once or twice. In this video tutorial, learn how you can obscure your subject’s identity in Adobe Premiere Pro by using the mosaic effect.
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